An Invitation to Rituals: Shambhala Calligraphy

This Post Is Part Of The #MYRITUAL2015 Event!

My good friend Amy Won of TreeSpace Studio has invited me to participate in her “Rituals” event. I love rituals, particularly traditional rituals that have depth, meaning and story to them. For Amy’s exploration into ritual, I have decided to share two of the most currently relevant. A few weeks ago I shared a special Lunar New Year Orange peel space clearing ritual. Today, I share with you a daily ritual that you can incorporate into a daily meditation practice.

I practice Shambhala Meditation, which is a path that was created by Chogyam Trungpa. He was very involved in the arts, and taught a calligraphy practice that I include before, during or after my morning meditation. Trungpa called this Dharma art, or Shambhala art, and the symbology is woven into many rich traditions such as Tibetan Buddhism, Ikebana, and feng shui to name a few. I participated in some classes that taught this dharma art style of calligraphy through the Shambhala center with Elizabeth Reid, Shastri Sandra Ladley and Anne Anderson Saitzyk.

My meditation instructor, Joe Mauricio, suggested this addition to my daily practice to assist in creativity, to free my mind. I remember after he told me this, I literally ran to the art store and bought all the supplies. The next morning I was like a blissfully elated child on Christmas day. I could not wait to do the calligraphy! I truly hope that this calligraphy ritual inspires the same excitement and adds some freshness to your rituals!

When:

Anytime! But I practice this when I sit for Shamatha meditation, bright and early in the morning. I make my tea (green or chai!) and then sit at my meditation altar with my calligraphy tools.

What you need:

  • Black Sumi Ink. You can also use tempera paint if you’re on a budget.

  • Large pieces of blank paper. I use a large 18”x24” pad of drawing paper. For me larger was better – so I could really be expansive. But regular white letter size paper will do!

  • Sumi Ink brush. Pick the size that you’re most attracted to. There’s no “wrong” size. :)

  • Optional: Red Sumi Ink. Note, the “red” ink is really more an orange.

Steps:

1. Take a seat and feel your body. It’s about feeling, not thinking.

2. I begin with a Buddhist chant:

GATE GATE, PARA GATE, PARA SAM GATE, BODHI SWAHA 

“Gone, gone, gone completely beyond to the other side. I am enlightened.” This is from the end of the heart sutra, which speaks about form as emptiness and emptiness as form.

If you prefer you can just sit with a moment of silence instead.

3. Look at your blank sheet of paper. The blank sheet is “square one”, an open place of not knowing, an open field of space.

4. Pick up your brush and peer into your ink. Silently dip the brush into the ink. Listen to the brush in the ink. See how the ink glistens on the brush. Observe. Be sure to do this step between each stroke as well.

5. Your first brush stroke on the paper is “Heaven." You can also call it “Space." It is your first gesture, or offering to the paper. Just one movement, your first inspiration. Remember, first thought is best thought.

6. The second brush stroke is “Earth” or “Form." This second stroke responds to “heaven” and grounds it. It can bring it weight, stability. Try not to control the brush but make friends with it. Earth is the offering you have at that moment in relationship to the first stroke. Remember, first thought is best thought.

7. Finally the last brush stroke is the “Human” or “Energy” element. This is where you can use the red ink if you chose to. The “human” element connects the first two strokes. It enhances or completes the relationship. Just like humans connect heaven above (yang energy) with the earth (yin energy) below. Again, remember that first thought is best thought.

8. The calligraphy is complete with Heaven, Earth and Human. Look at your meditation and take it in.

9. After it dries, like with a sand mandala, let it go to the universe. You can throw away (or recycle!) the paper. My teachers suggest the art is also great to wrap gifts with! Or you can give them away. But best not to save them. Then, carefully and thoughtfully clean your brushes with fresh water.

This is a delightfully expansive ritual that I suggest all of you do and share with your friends. I find it is especially beneficial in the morning before your brain has a chance to jump on the daily stresses that hold back our creativity.  

If this interests you, I encourage my readers to take some classes at Shambhala with the Shambhala Art teachers who have been trained to transmit the art. This is just my simple introduction :)

by Anjie Cho


If you’d like to learn more about feng shui, check out Mindful Design Feng Shui School at: www.mindfuldesignschool.com


About Anjie Cho:

Best selling author of "108 Ways to Create Holistic Spaces: Feng Shui and Green Design for Healing and Organic Homes" and Architect for clients such as Satya Jewelry, Anjie Cho is a sought-after expert in the fields of feng shui and green living. Anjie Cho is a registered architect and certified feng shui consultant. A graduate in Architecture from the College of Environmental Design at the University of California at Berkeley, she has been creating beautiful and nourishing environments since 1999.

Visit her blog at www.holisticspaces.com

Follower her on Instagram @anjiecho | Twitter @HolisticSpaces

Sacred Geometry, Art and Space with Karl Lorenzen

Craquele by Karl Lorenzen

Craquele by Karl Lorenzen

Earlier this year I took some Sacred Geometry classes with John Lloyd and Karl Lorenzen. I find great joy in drawing and learning about the meanings of geometric shapes. Sacred Geometry is found everywhere, in art, nature, human bodies, our architecture and the universe as a whole. This geometry harmonizes us with the universe! 

Karl was kind enough to take some time out for an interview to share his art and knowledge for the Holistic Spaces Blog.

AC: What is Sacred Geometry?

KL: Sacred Geometry, the confluence of art, science, and spirituality, constitutes a common ground between many of the world’s cultures and traditions. Its language of number and symbol (circle, triangle, and square) can be used to express profound ideas about the nature of existence.

How did you get interested in Sacred Geometry?

In 2000 my friend John Lloyd, a painter who lives in Brooklyn, introduced me to the subject. For five years I would visit him regularly to draw with the compass, borrow books on the symbolic aspect of life, and wander through Prospect Park, seeing the numerical blueprint of nature. John has studied with leading Geometers such as Keith Critchlow, Michael Schneider, John Michell, Robert Lawlor, and Scott Olsen

Today, John and I teach at holistic learning centers such as The New York Open Center and the Omega Institute.

How do you include Sacred Geometry in your work and art?

As a visual artist, I look for the beauty that is already there and respond with symbolic images (see images Exoskeleton and Craquelle, above). Like an architect’s blueprint, the bow compass, straight edge, and graphite pencil form the matrix on which my paintings are realized. The images are then painted in watercolor, primarily using a wet-on-wet technique. 

Inspired by the Chicago sculptor Bradford Hansen-Smith, I fold paper plates into polyhedra and space-filling patterns, see Tetra image below. Folding an actual circle (rather than manipulating a drawing of a circle) and working on the floor makes sense to my human nature. 

I bring the products of my symbolic and creative journey to the classroom when I teach: they are also featured in my upcoming book, The Art of Sacred Geometry Workbook .

Tetra by Karl Lorenzen

Tetra by Karl Lorenzen

Are there shapes that we can find in our environment that can create more harmony?

All cultures recognize the sacred circle, which has no sides, only circumference. Like divine love, it extends equally in all directions: reflect on this when you turn a doorknob, or sit in a circle with others.

The upward pointed equilateral triangle represents doing, while the downward pointed equilateral triangle represents being. 

Their union as a six -pointed star (or six petaled flower) is a Tantric symbol of balance. 

The square is nourishment ( three square meals), and shelter (a 90 degree angle resting on the floor provides stability).

A child drawing a house imagines a square with a triangle resting on top, beneath a circle: intuitively, they are harmonizing Earth, Heaven, and awakened human intention.

How do shapes affect our environment from your perspective?

The shape of the arch I walk under shapes me. The circular Roman arch curves up and returns to the Earth: good for entering a kitchen, or an administrative building. The almond-shaped arch of Gothic cathedrals resembles a birth portal: appropriate for the sense of renewal that sacred space provides. The Ogee arch, tapered like a flower petal, seems right for meditators and yogis, who imagine themselves perched on a Lotus. 

I would like the opportunity to gaze through windows shaped like flowers, fruit, and vegetables. 

Exoskeleton by Karl Lorenzen

Exoskeleton by Karl Lorenzen

Are there applications in our environment for these shapes?

Most housing developments take a bite out of nature, and construct with parts: then they fall apart. Volatile climate change calls for lightweight temporary dwellings, like tipis, made from local materials that can be gently collapsed back into nature. In a spherical dwelling (igloos or yurts), tension is distributed evenly along the surface: unlike the pyramid, where everything below is crushed by the weight of gravity. Hexagons (think of honeycombs) pack space more efficiently than cubes, yet cities continue to proliferate along the square grid. 

I like neighborhood houses tilted at angles that allow everyone equal access to air and light. Curvaceous glass and chrome buildings that play with reflection. Cathedral ceilings with soaring vesicas. Walking paths that twist and turn. More labyrinths in municipal parks, and spiraling staircases in public buildings, please! The city can be a human laboratory for joy.

How can readers begin to see Sacred Geometry in their everyday life/environment?

Sacred Geometry can be understood as patterns of beauty, order, and harmony that exist ready-made in nature. Once you recognize and align with these patterns, you will see new things, and familiar things in a new way.

by Anjie Cho


Born and raised in New Jersey, and currently living in New York, KARL LORENZEN began his studies and career in commercial art as a graphic artist and designer for the apparel and print industries. He later studied and taught the arts of Sacred Geometry (a hybrid of art, the sciences, and spirituality) and gives workshops and exhibits at national and international conferences, symposiums, galleries, museums, holistic learning and cultural centers. 


Yantras as Feng Shui Adjustments

Almost 9 years ago, I started my spiritual journey.  At that time I started taking yoga and meditation classes.  During one of those classes, I was introduced to the yantra.  Since then, it's been the most personal and meaningful form of meditation practice for me.  

On the right is the first yantra I encountered. This yantra is called the the Chinnamasta yantra.  Chinnamasta is a Hindu goddess who chopped off her head.  I later found out it was quite appropriate to be drawn to this particular yantra, not because I wanted to chop off my head, but because this form of meditation practice truly resonated with me.  The act of cutting off one’s head actually represents cutting off your five senses so as to attune your intuition (your sixth sense) and reaching enlightenment.

While creating a yantra, I can truly sit still and concentrate.  Everything falls away and time disappears.

CHINNAMASTA YANTRA

CHINNAMASTA YANTRA

TARA YANTRA

TARA YANTRA

So, what is a yantra?

Yantra is a Sanskrit word, yam  “means supporting or holding the essence of an object or concept…[and tra means] liberation from bondage.”[1]  Yantra is a tool for centering and meditation.  “As a tool, yantra meditation is used to withdraw consciousness from the outer world, so as to help the student go beyond the normal framework of mind.”[2] 

A yantra is a physical manifestation of a mantra from Vedic tradition. They are a type of prescribed mandala because the colors, shapes, and proportions have been pre-determined.  Each yantra always consists of the same colors, even closely matching the tone and shade of each color is significant.  For Instance, just above is the Tara yantra.  Tara yantras always look the same.  The design around the yantra is my own, but the actual yantra requires no artistic decision-making.In the process of creating a yantra, you start at the center, and then expand to draw a circle.  Then you draw clockwise, from the outside in, until you reach the center again.  You chant the associated mantra as you circumbulate the yantra.  The movement and chanting is a clockwise tightening to build a powerful talisman.

You can see that yantras use a balance of shapes and colors, so they form balanced and harmonious chi.  They have all have the bhupur, the circle, and the shapes and colors of at least a couple different elements.  Also, as I just explained, when a yantra is created it is imbued with the intention and energy of the mantra, and the deity and energy that has been prescribed to it.  The following are three examples.

G A N E S H A    Y A N T R A

G A N E S H A    Y A N T R A

My yantra teachers have taught me to always start with Ganesha, the remover of obstacles.  Ganesha is the god that represents the beginning of things.  The associated mantra is:

Om gang ganapataye namaha

The colors and shapes represent the wood production cycle.  We start with the green wood, then red fire, and then the center with the yellow earth.  Because Ganesha is ideal when starting new things, I relate this yantra to the Zhen/New beginnings gua (area of the Bagua, the Feng Shui Map), and the element of wood. 

Ganesha also had his head cut off by his father Shiva, while protecting his mother Parvati.  Similar to Chinnamasta, Ganesha became enlightened when his head was cut off, and he was able to see that he was the same as his mother and father.  Therefore resolving family issues.  Which again brings us back to Zhen. 

As a feng shui adjustment, the Ganesha yantra may be placed in the Zhen area of your home, office or bedroom for assistance in starting new endeavors or family issues. 

The Venus yantra was the first yantra that I painted.  The associated mantra is:

Om Shum Shukraya Namah

In Hindu, the planet Venus is feminine, having to do with relationships, love and higher love.  Venus is considered a beneficent planet and associated with the reproductive organs.  The cascading squares looks like they’re sinking, falling, it’s very womb-like.  The pale yin colors, delicate pink lotus petals and square earth shapes suggest the Kun/Relationships gua and the element of earth. The pale blue of wood and the gold and silver colors of metal offer the two elements that deplete earth.  So this yantra may harmonize an excess of earth.

V E N U S    Y A N T R A

V E N U S    Y A N T R A

As a feng shui adjustment, the Venus yantra may be placed in the your bedroom, since that’s the room that’s closest to you, to assist with relationships as well as self-love and self-nourishment.

M A R S    Y A N T R A 

M A R S    Y A N T R A

 

The Mars yantra depicts deep reds and pinks, with many triangles.  The associated mantra is:

Om Bhaum Bhaumaye Namah Om

Mars is a planet that is associated with masculinity, anger and war.  It’s also a planet related to instability such as of fire.  The reds and triangles are also related to fire energy and the Li/Recognition gua of the bagua.  The central upward pointed triangle represents growth, as do the more dominant red interior triangles. This suggests that an excess of fire may be transformed into a more positive and productive direction.

As a Feng Shui adjustment, the Mars yantra may be place in the Li area of your home, bedroom or office for assistance with passion.  This yantra may adjust lack of passion and fame by adding fire.  But it can also balance excessive fire, because the upward pointing triangle suggests growth in a positive direction

[1] http://www.sanatansociety.org/yoga_and_meditation/yantra_meditation.htm 
[2] http://www.sanatansociety.org/yoga_and_meditation/yantra_meditation.htm

note:  the images I've shared here are all yantras that I've made myself.  

by Anjie Cho